Thursday, March 17, 2011

Can Someone Get Ringworm On There Breast

sets by Robin Wood in Italy - (from Forges Mute 55) THE SOLDIER AND DEATH


In the good old days that they are still thought to write all the Robin Wood comics (but already leaked through some indiscretion nippurweb.com.ar) I wrote a long piece about Wood that ended with a list of his series arrived in Italy. "And we hope not too many stupid things you have written" I said to introduce it on Mute Fucine 51. Here, indeed, I take this opportunity to update the blog and correct some things ...
And of course to expand the list with the new series of the weekly Wood appeared after 2002.

The soldier and the death ( Skorpio 20/1987, gradually change the series title and become The soldier's death - Ronstadt and then Ronstadt - The soldier and the death )

Ronstadt is a soldier in the life of steel that has virtually no further interest in that war. But the dismantling of his regiment and a bullet in China that threatens to make him break his heart at any time forced him to retire to his old house in Dorchester, Wisconsin. In his native country is waiting for a new struggle, this time against the hostility of relatives and old grudges never dormant in ten years. After a flashback on the face of China, Ronstadt live new adventures, always with the threat of the deadly bullet impossible to be removed surgically, and then ... and then who knows. In Italy The soldier and the death has not yet ended, for problems related to sending the material from Argentina [origin in the series consists of over one hundred episodes! But many do not, however, since we'd seen the usual succession of writers and designers poorly tolerated Euro] . The lineup of Skorpio it seems currently to allow a reintegration of the series and perhaps the conclusion of Ronstadt not we ever see. Too bad, because it was very exciting and well thought out (although the former granite Ronstadt was nasty) and Ricardo Villagran you have done an excellent job.

Tuesday, March 15, 2011

Tech Deck Wooden Collector

series Robin Wood in Italy - (from Forges Mute 55) KEVIN


In the good old days when we still thought that Robin Wood to write all his comics (but already leaked through some indiscretion nippurweb.com.ar) I wrote a long piece about Wood that ended with the 'list of its series arrived in Italy. "And we hope not too many stupid things you have written" I said to introduce it on Mute Fucine 51. Here, indeed, I take this opportunity to update the blog and correct some things ...
And of course to expand the list with the new series of the weekly Wood appeared after 2002.

Kevin ( Skorpio 1 / 87)

Kevin Codrington is the young scion of an aristocratic English family, a reminder that magic and irresistible urges to Africa. For once a young star of Wood is not found with the family wiped out and forced into exile, but he is starting on its own will. In Egypt you will find (perhaps) an explanation of why that her dark skin and his strange temperament. Beginning the adventure takes place in Europe and as Kevin has two companions of those characters in the round that only Wood can create: the old and the colossal Egyptian Meduth sailor Skog. Arrived in Africa, Kevin will be converted to Islam and become even a Tuareg. Experience gained will free himself and the people oppressed by his twin brother Michael demonic / Leahcim. Kevin is a great saga of adventure for adventure "in which there are moments of high tension situations, and veiled in mystery is very impressive. The drawings Garcia Seijas, then, are simply divine [In the last episode was helped by Oswal] . Unfortunately, the designer left the series at fourteen episodes from the end and the last part was given to Angel Fernandez, who was able to still do a good job. Probably this change is a designer to have blocked for the moment possibility of a reprint of Kevin (Fernandez ed'altronde episodes were recovered after the last years of Garcia Seijas, witness to those who may have had doubts the Eura). Too bad, because this saga is one of the most beautiful Robin Wood.

Monday, March 14, 2011

Common Numbers For December Ohio Lottery

the best job in the world








In fact, these two advertisements (from magazines of the early '60s Argentine) offer an alternative to a life without prospects gray more than promising easy money and fame, but there was also a Pratt which in the end the designer drink a cocktail by the pool of his home surrounded by models!

Sunday, March 13, 2011

Free Downlod Milena Velba Cilip

They look after 40 years. Not 6 months.

They look after 40 years, 6 months.
years I have traveled the world looking for what my soul refuses to see.
years I have mirrored through the rain, to find the leaves to welcome me like a carpet soft and delicate.
years in which I enclosed in a cocoon, for fear of looking out.
cocoon And that was shaped like human arms, his mother's arms, with the warmth that is not found elsewhere.
I tried to turn the blank with words not mine, that they knew of coral, fire red or black at dusk.
I painted rainbows, to cross the line between reality and dream and realize the handful of cardboard clouds.
The colors I saw were still among the iris and the pupil, in that no-place that recognizes the shadows and resides in the soul.
I left, to let go and build me.
Now, time has left me.
It seems to me a lifetime.
Now, I am not wanting to let go.
And to ask, to find.

Saturday, March 12, 2011

Jenna Haze Arora Snow

series Robin Wood in Italy - (from Forges Mute 55) GRACE Henrichsen


In the good old days when we still thought that Robin Wood to write all his comics (but already leaked through some indiscretion nippurweb.com.ar) I wrote a long piece which ended on Wood with a list of his series arrived in Italy. "And we hope not too many stupid things you have written" I said to introduce it on Mute Fucine 51. Here, of course, I take this opportunity to update the blog and correct some things ...
And of course to expand the list with the new series of the weekly Wood appeared after 2002.

Grace Henrichsen ( Skorpio 34/86)

classic example of a spin off, this series stems from previous Dennis Martin, one of the earliest evidence of Wood (even after the second Nippur, According to the authoritative No. 26 of Fumo di China ) [Of course, Dennis Martin is the second serial character created by Robin Wood but Grace Henrichsen was not a simple spin-off later, as is born Dennis Martin after and protagonist from the very beginning of the solo adventures] . In Italy, however, Dennis Martin we have only seen the continuation by Ray Collins, perhaps the episodes written by Wood were not yet mature enough [Earth, Swallow: Management of Wood lasted more than 10 years, and although the first episodes were not enough ' mature "(and still were) Wood would have had ample time to correct the shot ...] . In any case, the same Grace (as it was briefly shown on the cover of Skorpio ) will then be assigned to the pen of Collins, hidden under the pseudonym Turnell. The stories is not that much to say, Grace is an agent of Scotland Yard as the beloved Dennis and faces such as in the usual mad scientists, murderers, spies, dictators and so on. Some interesting stories are balanced by others (many) a little 'far-fetched and not just press the button to make the romance more human heroine who is basically the same old "machine" that always comes out the winner. In addition, the designs of Angel Fernandez (sometimes confused already by itself) are sacrificed rather than the reduced size and color plates that make it easy to read. Despite all these considerations Henrichsen Grace had a rather long editorial life, almost five years [In Italy: in Argentina lasted many, many years more] , during which there were quotations from Dennis Martin and rare encounters with this character.
Probably the episodes we've seen in Italy are for the most part (if not all) by Collins: the style is in fact little "wood" and at first the name of the writer was not practically never indicated.

Thursday, March 10, 2011

Do Tvs Go On Sale After The Superbowl

series Robin Wood in Italy - (from Forges Mute 55) The Cossack

In the good old days when we still thought that Robin Wood to write all his comics (but already leaked through some indiscretion nippurweb.com.ar) I wrote a long piece about Wood that ended with a list of his series arrive in Italy. "And we hope not too many stupid things you have written" I said to introduce it on Mute Fucine 51. Here, of course, I take this opportunity the blog to update and correct some things ...
And of course to expand the list with the new series of the weekly Wood appeared after 2002.

The Cossack ( Skorpio 47/85)

Sacha Veblin is the product of illicit passion (and very short-lived) of Prince Fedor for a commoner. What a beast, the prince ignores the poor Katie up at birth, at a time when part of the woman with a lot of isba below concrete. To combat it, however, is the father of the woman, another that is no joke in terms of brutality: it Terek Atark, a Cossack, one of the men of the wilderness of steel and his nephew does not want to give up. The first stirrings of Sacha stop the fight between the two, but also mark the end of his mother. Once named as best Sacha and cooled the hot spirits, computer Boris, Prince Fedor's brother, tells him to forget about the child's avoiding the scandal of a hateful relationship to the social conventions of St. Petersburg. Sacha grows like a Cossack in the care of his grandfather and become a simple brawler prince official in Crimea and even to turn: the now-old Fedor, who saw him as a young man himself, it does not tolerate the apparent weakness of its two official heirs. The Cossack is one of those series that have made history. The idea is in fact almost genius: move the situations and the typical Western stereotypes in a "serious" and well depth. But after the first few episodes here and there you feel a bit 'tired and perhaps the last period are the most trivial to resolve a situation that are not good. Sometimes, then, Sacha Veblin is so arrogant as to be unpleasant. Wood had originally thought of as a designer but Casall Salinas, while not great, it has certainly been able to inextricably link his name to this series, especially in Italy. The last nine episodes are, however, by a certain Furlino, admirer if not a real assistant Casall [Hernan Ruben Furlino was also the "clone" of other designers as needed] , and the series would then be continued in Argentina without Wood.
The Cossack was originally reprinted in a special volume of his own (1989) and then insert ( Skorpio 1/98-1/99, the reissue has yet to be completed).

Tuesday, March 8, 2011

Wilton Giant Cupcake Tin Recipe

interview with Angel Fernandez Lito

Alberto Angel Fernandez was one of the pillars of the Euro, and today aura. Almost always accompanied and constantly readers Lanciostory and Skorpio , coming even from the confines of the week to make the registers Bonelli ( Leo Morgan on Formula 4 and above the bi-monthly Martin Hel ).
His drawings are the two main sets of the first week of the year: Larry Mannino - District 56 (written by Ray Collins) and Calico Jack (text by Carlos Albiac). In reality, the protagonist of the first series was originally called Zero Galvan and true as the second series was A Traves de Oceania but at that time had no Eura many problems to "adapt" comics ...
The presence of Angel "Lito" Fernandez has been on the weekly uninterrupted until today. Larry Mannino finished , for example, was already on Lanciostory John Smith to take its place and to accompany the players for several years (albeit with a long pause) until 1989.
Skorpio less and was not well presented Calico Jack Bull Rockett , Samoa Kent, Gala , Grace Henrichsen, Mafia red light ...
Fernandez has worked with virtually all the writers Argentina (Although his collaborations with Wood and Collins are certainly the most famous) and horse of the 80s and 90s lent his art to two writers who at the time were little more than newcomers, Mazzitelli and Slavich, which has produced many other series and miniseries a high level. Citing bulk: Browning & Cooper, Cannon, Death does tricks , inheritance of blood, Videoman , The Actor .
And besides all this mass production and continuing to be mentioned also the endless production of "free", episodic stories without fixed stars. Among the many, worth reporting at least Loco Jones, 10 years after written by Carlos Trillo [1] .
But since 1992, his name is inextricably linked to one of the characters-euro symbol, and among its greatest successes: Martin Hel.
Far from being completely absorbed by Martin Hel despite the amount of tables that must produce (12 pages per week which will add 96-page bimonthly in 1995), Fernandez continues to produce more material, such as the series True Crimes written by Cinzia Tani.
Clearly the production of both material and quality so high it is not possible for one man and Lito Fernandez is famous for being the master of many designers today who are good professionals and assistants from the beginning they did for him.
Despite being one of the most relevant figures of the Euro (and continues to be today for the Aurea) fairly recently Lanciostory he dedicated a series of bets heading clouds.
Although almost exclusively tied to the euro, in Italy we have seen the works of Fernandez for Comic Art and more recently with Sergio Bonelli Editore, so after the number 17 Demian had the honor of being selected for a draw Texone.
Among other things, Fernandez on texts by Robin Wood a commemorative volume for Colombiadi, based in Italy currently has only seen one written by Zentner and designed by Mattotti.


The information we have about you in Italy are rather fragmentary and are repeated identical from all sources, we know only that he was born in 1941, he designed as a classic Argentine Misterix , who also worked for England and he attended Pan American Art School seguendo i corsi di Alberto Breccia and Angel Borisoff. E nel volume Eura Speciale Lucca Fumetto uscita nel 1994 per Robin Wood has detto che Lei ha 9 figli. Tutto qua. Cos'altro Dircio di sè può?


All this is correct, surely, my family has been the source of inspiration for my great production. I have 5 children from my first marriage and 4 of the second. The family is still widening and my grandson will be born soon to number 14.
disegnatore
Il has Paul Fayó detto "È normale sentire dire ai old designs that they do not like comics. They work in comics, like graphics and painting, but do not read comics " [2] . But I believe that you really love the comic, as evidenced by your studies and the fact that comics have taken several others. Am I wrong or did it? I remember reading somewhere that she also has an original drawing by Moebius with dedication.

I love deeply the historieta desde el moment en que por equivocación (y no por vocación) hile the classroom clase en la que daba el maestro Alberto Breccia. Pablo says Fayó que no leemos historieta, algo de cierto There, I love "reading" cartoons graphically, that is what the artist told me, what is its narrative and how successful is the symbiosis between the writer and graphic artist. As for the drawing of Moebius, since he came to Argentina and craft of his driver and occasional confidant, back in the '70s, decorating my studio.

A sewing che delle poche di Lei sappiamo che è anche per il has Lavorato Daily Mirror: che di lavoro type has Svolta? Caricature, veri e propri illustrazioni or fumetti?

war I made a comic weekly, was in the 60s.

Qual è stato il
Suo lavoro professionale cousin in Argentina?

This is a story worthy of a story. It was scripted for me and it was adventurous, kind Jungle Jim. Was published in D-Day and I was doing while studying with Breccia, Donadio editor was looking for new values \u200b\u200bto the American (flagship school, which taught the priests story this time: Ugo Pratt, Arturo del Castillo, etc.) Pupils show our work and I was selected, never cashed. Tragically, shortly after he was poisoned Donadio por esposa up, what ya que muchos que hacer el dibujantes fantasearon susodicho Solia "olvidarse de pagar a sus colaboradores.

In the first issue of Skorpio Argentina (1974) show the first episode of Precinct 56, a remake of a comic I wrote to Ray Collins Misterix since 1963 and drew Jose Mu ñ oz [3] : Collins was the idea of \u200b\u200bresuming the series or the idea was the editor?

A decir verdad, no lo itself, cuando yo ya estaba todo llegué resuelto.

Precinct 56 is a series that has always fascinated me. I noticed that after repeated episodes changed the features of the protagonist, initially had a thin mustache vaguely of Clark Gable and eventually had an almost animal-like, more like Charles Bronson. It was an accidental phenomenon, or wanted to highlight the drawings with the passage of time, the escalation of violence in the world, the political situation in Argentina ol'incupirsi era?
dell'aspetto Evoluzione di Zero Galvan / Larry Mannino

I would emphasize the sharpness of your analysis so accurate. Wanted to find a very masculine type, and consulting with my wife, she suggested to Clark Gable, trouser discovered by her during her adolescence, the funny thing is that after your preference leaned toward Charles Bronson and following the changes in consumer tastes, Larry Mannino also changed. Without doubt that the political situation has had and has a great influence on the creative output of each half, beyond anecdotal case, violence as starkly exposed then graphically manifested functioning as a catharsis.

purposely Sempre di Larry Mannino : nel Italian number 38 della rivista L'Eternauta Vennera messe a confronto di due diverse versioni a tavola di Precinct 56, a da disegnata el'altra Martinez disegnata ovviamente da Lei. È normale che prima di partire di produzione with a serial fumetto there is more of a cartoonist who does the tests to see who is right, but this fact is a bit 'strange because the table in question is part of what in Italy is the 7th chapter, and already ahead in the series. Perhaps the series would have to go to Martinez?

Ignore este episode, lo que puedo decir es que you Martínez es el argentino dibujante Chiche Medrano, y quien ya fallecido Jamas me to Mencius nada respecto.

Who left the idea of \u200b\u200bresuming Bull Rockett ? It was his idea or the Record? On Skorpio 9 of 1978 he speaks of his "friend writer "who had provided the subject [4] .
La idea fue de Record, y sin duda que la referencia Héctor Germán Oesterheld was, cuyo home was Desconocido.

The attribution of the texts Bull Rockett I think it's a little 'problem, of course the latest episodes Barreiro wrote them. The early episodes were written by Oesterheld?

Efective así fue. Osterheld fue desaparecido junto a sus Hijas por the Junta Militar de Gobierno. Suelo Hablar with Elsa Sánchez, on Viuda, y quien está recibiendo merecidos tardíos reconocimientos.

Your style reminds me of Frank Robbins, but maybe it's just a case because in the early episodes of Dennis Martin (all I could see myself, at least) [5] I think there is a more cartoonish style, at most a touch of Milton Caniff if you really want to find references.
The influence of Frank Robbins was actually there or is it a coincidence?

Frank Robbins is my first influence. My father had a newspaper delivery and one of his clients was Ramón Columba, owner of the legendary publisher. I contacted him at age 14, my father was the bridge. Very generously, Ramon told me to look at Frank Robbins. I made my first experiences amalgamating a couple of years later, I learned in the Pan-American school that published cartoons Columba and I had to hand over the work of my father.
Secondo me anche il suo stile delle componenti has umoristiche, e in effetti molto anche storie che abbiamo in Italia hanno seen a broad and grotesque ( Fog , Undermédanos ) or at least ironic ( Browning & Cooper, The Tower of Miracles, etc..) - She has also produced humorous works properly, as they did for example Enrique Breccia and Domingo Mandrafina?

Como en la vida, el humor, if that car en mi trabajo, será por esto que me dibujo divierte much.

How was your relationship with Columbia? There were no problems when, with the birth of Skorpio in 1974, many designers passed from one publisher to another or contemporeaneamente worked for both?

While there was initially some conflicts were overcome then the responsibility of a large family has guided me to smooth things over and to "find the back" to my work. The cartoonists have ups and downs, and it is hard to find someone has his economic situation resolved, the markets, which were fluctuating, it was becoming increasingly difficult.

In Italy Le è stata anche attribuita the witness paternitas di alcuni dei fumetti, da Lei disegnati semper: ad esempio Samoa Kent, però che dovrebbe essere stato scritto da Roger King. Ummer omissioni Queste standardized abbastanza ma anche per l'Eura Comic Art pubblico la storia A mille Probability his (her L'Eternauta 134) has only come indicato autore Lei: Lei has occasionaly scritto quindi anche oltre a disegnarli fumetti?
had no knowledge of this, and I will be very adamant about it, I'm no writer and I've never been, except the first and tragic story above. In many cases, we sat with the writers to dream characters and stories, especially with Carlos Albiac, but in no way, I wrote those scripts.

Oltre al lavoro per le due più importanti realtà Editoriali Argentine, Columba and Record, anche Lei editions will Collaborate with the Magpie his Fierro : Dircio thing di questa esperienza può?

remember "The top and bottom," "The decline deaf" written by Carlos Trillo. 2 chapters also published a series of sauteed Carlos Gardel, the story I have 8 chapters unpublished.

Dopo anni di Letture
di Lanciostory and Skorpio my sown di Lei che abbi Capire instaurato privilegiato rapport with Ray Collins, tra le altre cui avete sewn Realizzato divertenti anche le storie of cosacco Juan [6] . C'è particolare effetto a tune?

At least in my case, have always been the publishers who have provided me the scripts and hence arises and communication with the writers.

famous Lei è per essere a capo di studio che a molti realizzativa fumetti, e da cui sono professionisti usciti tantissimi (Carlos Gomez, Alfredo Falugi, ecc.). In anni che utiliser has cominciato a method di questo lavoro? È something Risale che già ai tempi di Dennis Martin or successiva è?

Many years and many professionals, I can not believe, making calculations are like little more than 40 years! If it is something I can boast of having taken the "pencils" received, each with their style, and professional with my inked and has been an interesting approach, as each child could explore co-equip themselves and take a little of my experience. Sometimes I brought sketches that were used to systematize policy on the story, and although each one then follow his own path, I have been true clases sobre el theme.

The Working as a team "has always characterized the history of comics and newcomers are still many bones are collaborating with the professionals said. But there are many different ways of understanding this process: for example, Hugo Pratt left blank the blank parts of the strips and passed to drain, Vianello seconds to fill his orders, Manara cured inks instead of drawings by Bacilieri, Tibet employees have made almost entirely white boards they were filled with wallpapers and Will Eisner was an almost assembly-line method with the apprentices at the end of the process that scoured the pencils. Come
avviene the realizzazione dei fumetti vari Lavora their care? C'è molto stretto rapporto work a Lei ei Suoi collaboratori or you Fasi della realizzazione sono varie e ognuna than plucked per conto proprio?

Something I said in the previous question, I think my production is more like that of Will Eisner. The pen does have all the freedom to interpret the script as you like, when you bring the material supervise and give guidelines for the next chapter, often redo pictures. The second part is the inked the scenery, concluded that the characters and retouch step funds. In a final analysis, the assistant more novel hare los recuadros, wad el lapiz, corrige los bordes with blanco, etc.. y pasa es necesaria color.

How was the birth of Martin Hel? It was the first work done directly for the Eura?
Yes, Lueger fue publicado en capítulos en ed. Columba hasta que cerro.

The scripts are very detailed Wood? I imagine that after forty years of working together to understand there are no problems now.

extraordinary thing about Robin is the leeway they gave me, that confidence out of the other the best, too much detail blocks the imagination and appropriation of the cartoon by the cartoonist. After Oesterheld, Robin is one of the best writers, has that plus inexplicable duende.

Anche Lei come molti colleghi Argentini (Alcatena, Zanotto, Zaffino, Garcia Lopez, ecc.) Has Realizzato fumetti per il mercato statunitense, specifica nello L'Invasion ricordo da Chuck Dixon Scritta [ 7] . Ci sono anche altri fumetti realizzati oltre a questo per il Nord America?

Dixon Del mismo, y he hecho Batic Airboy. Barreto en participates with a pocket-book de Batman.
She has also designed one of the 25 volumes that make up a necklace that Spain's Planeta De Agostini Colombiadi of celebrity. How was the realization of the volume?

Vivo en un barrio de la suburban province of Buenos Aires. A tocaron día a mi puerta y me encontre a abrirla sevillano enviado del Gobierno español, Pedro Tabernero. "He cruzado para el Océano dibujes pedirte que esta historia fueron sus words and then it all started.
avvenuti
Come sono i contatti with Sergio Bonelli? Lei anche da bambino leggeva Tex / Colt Miller his Red Lightning?

not read, "devoured" who had said that someday I would draw. It's a little strange to be today in my own childhood fantasy. I knew they knew my work and at some point we contacted to perform Demian, a character who is drawn by other senior colleagues.

procedendo the realizzazione Come sta of Texon ? Anticiparci qualcosa può?

could be classified as a big production, Mauro Boselli spectacular displays an argument, I must have this documentation greatly to capture the full complexity of the characters and the richness of its scenery. I think readers will find what has always provided the Texon: adventure, intrigue, suspense, action.

Tra migliaia di tutte le pagine che ci sono has Realizzato a fumetto or personaggi (or anche di più a) di cui's particularly fierce if present or cui è molto affezionato?

Several
, Precinct 56, Dennis Martin and certainly "Through Oceania" where adventure and the adventure itself let my imagination without limitations. The variety of characters would make each other apart and exotic history of the place passed provided an "extra" to creativity.
Grazie per la disponibilità.

Thank you for your interest and hopefully we can meet personally.


(will un'appendice with the list of contributors to Angel Lito Fernández)



[1] With this title, probably more faithful to the original, appears on The Eternauta Junior 2 while at the Eura history is known as Samuel Jones, after .
[2] Fayó Pablo, La Generacion of 80 in Fierro 78 - translated version in Italian reported by the grandchildren of eternity - new comic Argentine, Carlos Scolari, Granata Press, 1994 (p. 58).
[3] In Italy some episodes were released on Sergeant Kirk of Ivaldi.
[4] For presented Bull Rockett the Eura even resorted to a long note a bit 'melodramatic on the page of "Letters to skorpio," a very special treat for the series that would appear on the No. 33 of 1978, "Fernandez, the designer Calico Jack and [...] Larry Mannino [...], Is talking to me hard and I confronted him, scolding him for the excessive delay in continuing to give us Calico Jack. He smiles, and I show four episodes of a new character called Rockett Bull. He says he carried it out because he liked the stories of his friend the writer. I try not to lose patience and I start looking at the stories ... I returned the smile. Fernandez is out of the class of all, in a light and airy creation stories to really outside the box, somewhere between fiction and yellow, between the cosmic and the epic tale of humor. I accept the character (it will appear on Skorpio very soon), "humbly" I beg him not to play other jokes like that (Fernandez is a joker, I'm much less, overwhelmed by thousands of organizational problems), and with fierce eyes pull out the promise to stay up at night, but we will deliver on time is Calico Jack Bull Rockett that (the character of Larry Mannino is in love and "there will be no problems for what"). Do you believe? Mah .. '.
[5] Dennis Martin debuted in 1967 with the texts of Robin Wood, in Italy know the later version, written by Collins. The name of Angel Fernandez Lito is closely related to the character but the first episode, Tanger para Hombre, I drew Luis "Lucho" Olivera. Fernandez took the reins of the series from the second episode, Pasaje para Bulgaria, published D'Artagnan 163 in October 1967.
[6] Criptoserie of which have appeared in several episodes as free over more than twenty years between Lanciostory and Skorpio .
[7] On Skorpio from number 20 in 1997.

Sunday, March 6, 2011

Spicy Jalapeno Cheese Cornbread

series Robin Wood in Italy - (from Forges Mute 55) BIG NORMAN

In the good old days when we still thought that Robin Wood to write all his comics (but already leaked through some indiscretion nippurweb.com.ar) I wrote a long piece about Wood that ended with the ' list of its series arrived in Italy. "And we hope not too many stupid things you have written" I said to introduce it on Mute Fucine 51. Here, indeed, I take this opportunity to update the blog and correct some things ...
And of course to expand the list with the new series of the weekly Wood appeared after 2002.

Big Norman ( Skorpio 27/85)

Dave "Big" Norman is a New York detective who thoroughly deserves his nickname is more than two meters tall, weighs over 100 pounds and militancy in the Marine Corps made a and an impressive physical strength. It deals with various cases, ranging from all the canons of the genre (kidnapping, extortion, blackmail, the fight to the 'Organisation', etc..) And usually it is his prowess in saving him from situations in which the leads from the nose detective. Along with Hard world - and Morgan Kozakovitch & Connors is a series of texts more Wood's sarcastic and first-person narrative contributes much to the charm of the series. Unfortunately Big Norman has always been the target of criticism concerning the supposed banality of his stories and the same basic assumption (the detective who works in New York). But once we put aside the prejudices, the series is enjoyable and, for the sarcasm noted above, very engaging and irreverent.
number Skorpio which appeared in the first insert Norman Big
The Daniel Haupt is not valid was the only designer Big Norman, but the first few episodes made by Horacio Altuna did not arrive in Italy. The pseudonym under which was concealed Robert O'Neill Robin Wood may actually be an umbrella pseudonym used in this case also by Ray Collins and possibly others [No: Wood was always] . Big Norman was published in an unusual way: Skorpio appeared on in 1985 as a "second insert" new and was never reprinted [The second insert was an experiment of the mid-80's foreboding of what would have happened for a short period on Skorpio with the transition to the 2004 paperback] . Adaptation dell'Eur three stripes is visible but much less annoying than in other cases.
A curiosity: it seems that the features of the character are inspired by those of a giant Uncle Wood!

Saturday, March 5, 2011

How Can I Beat Hypothyroid

post-dream .... thoughts .... The journey of Hermann

Today Hermann took me by the hand, accompanying me to work. And while I saw the sky blossom and shake off the rain, I began to leaf through and discover the underlying petals, made of airy strings, cellos and guitars acid lovers.
Every day, gives me the wonder of dawn, to the sweetness of the night.

Friday, March 4, 2011

Sample Memo Company Vehicle

Interview with Carlos Trillo-2

Skorpio 's birth and subsequent years (1974-1978)

In July 1974, the Argentine comics scene has been rocked by a historic event: the editions of Alfredo Record Scutti publish Skorpio , size smaller than that of Columba, but a big improvement in form and concept of the comic. Fine print, hand lettering, acceptable colors when not excellent, timely editorial, for better (all of these reasons) and bad (Scutti retain the rights to publish comics) Skorpio becomes the new reference point for authors and readers Historietas. And success will be that published by other magazines will follow shortly Record: Tit-Bits (1975), Short Maltes (1975), Pif-Paf (1975), plus special issues and other magazines in the years after . How was the meeting with the Record? She was the call or to offer itself as a writer?

En primer lugar refutaría of the historic event: Ediciones Record was only a copy of the journals had Oesterheld with Editorial Frontera. If you look at the first numbers you see: The Corto Maltese, who took the place of Sergeant Kirk , this time with Pratt as sole author and the corresponding change of scenery. The Damned of Saccomanno and Mandrafina, good series, followed the Cayenne of Oesterheld and Haupt, Derek of Saccomanno, Mandrafina and a cartoonist who did the pencils [1] , that looked like Ticonderoga . Watami seemed to retake Ticonderoga American Indian stories. A Buster Pike of Oesterheld and Solano and replaced him assistants Precinct 56. Patria Vieja of Oesterheld and was emulated Roume (going a little further back in time) by Alvar Mayor . And Gimenez draw a series airplanes in World War II in the manner of Black Poppy of Oesterheld and Solano López [2] . And - the icing on the cake - The Eternauta was, as had been Zero Hour Week, the big hit Record. The authors were very influenced by the work by Oesterheld and his way of telling, so an editor to ask you to follow that path for many of us was a blessing.
had been ten or more years, though, and the broad language of the comic had become more adult. There was a reading of initiation.
And apologies for the digression, I alleged: Guillermo Saccomanno had begun working with Record from the beginning, I remember that Zappietro contacted by Eugene (Ray Collins), author of Joe Trigger in old Misterix (which drew an unforgettable western Carlos Vogt). Zappietro was a professional writer of great renown, who had worked not only in April and Yago Editorial - the editor of Misterix and Red Lightning in his later years - and who worked in that period Editorial Columba. At the beginning of Record was something like the editor and asked him autoconclusivos scripts and ideas for new series to William. I, for one, was starting that race rare for a comic writer who was to write scripts in journals that were not comic (García Ferré, Satiricon, Richard Roe, the newspaper Clarin, one shortly after the Humor Magazine) and was already working with Alberto Breccia en lo que serious this Daneri, Altuna y en la diem pulls EL LOCO CHAVEZ. Prepare a self-contained guión de Ciencia Ficción y en Record Saccomanno me this.

Ray Collins was a prolific writer, I loved it in Italy but was never much loved. According to a legend as well as novelist and screenwriter was also a police inspector. Even in light of his work in drafting Skorpio you have just described seems even more unlikely to make another job. Do you know if this legend had a foundation? I think it's impossible to write all those pages in active service.

Ray Collins, Eugene Zappietro was Comisario de la Policia Federal Argentina. Y novelist, a great author y de Historietas. His Joe Gatillo with Vogt's drawings, is unforgettable.

Eugenio Zappietro / Ray Collins - photo by Juan Barriento


Remember what was the first comic book he wrote for Skorpio ?

was a doce Páginas de trabajo, a medida que pedia the editorial, self-contained, unitary, the ustedes say "release" of science fiction spaceship. I do not remember the title but, as I drew Juan Gimenez (whom I knew personally much later) was collected in a book of short stories designed by him and which was published in Spain [3] . Not be difficult to find him. The story under a pseudonym. I, in 1972, had written a few novels that later - as Raymond Chandler said of his stories that were germ longer stories - "cannibalize" to comics. And one of those novels had signed on as Lester Millard. I used that name and as such I became when the story appeared in Skorpio.
In case you're interested, the two novels is called Mortal Circle (the Lester Millard), which became, with major changes in the storyline of Light & Bold to draw Jordi Bernet, and ; Mouse Trap (a certain David Grennell) that helped me to not get lost in the long adventure of GREEN HARVEST (Frutto Acerbo), drawn by Mandrafina. The publishing house that published, Finisterre, was an invention of a publisher friend, Carlos Marcucci, Guillermo Saccomanno and me. The novels pretending to be European and American authors, por eso los seudónimos. El Knutti Wellhaven Saccomanno de haber sido el primer has de author Conolly sueco que se en Argentina, antes de la literatura boom Escandinava negra que es tan fascinating.

There is conflicting evidence about the nature of the Record. Some came into practice as service to make editorial cartoons that were then sold abroad programmatically. If we accept this hypothesis, the Eura was thus a kind of Marvel Italy argentina. In support of this thesis could be the existence of the French magazine Karakal (but also published Italian material). What is your opinion? According to her, and Scutti Zerboni socio suo volevano lead to an alternative vera oppure ai fumetti in Argentina come agenti volevano strutturarsi?

Skorpio was an Italian invention, none other than Alvaro Zerboni, who by then had returned to Italy and was fotoromanzi international agent of the boat. Still related to the Argentine market with the Record editorial, which appeared, from the early '70s, magazines and erotic gothic novellas. In them, under the generic title of "Photostory chilling" Killing had launched , Ultratumba , etc. In those times weekly huge comic book sales in Italy, proposed to the editor to produce a working comic, LancioStory , which later joined Skorpio. The prices of most drawing script Argentina were much lower than prices in Italy. This heralded a good deal for a production made entirely in Argentina. Zerboni knew the Argentine market for years, had been an illustrator for the legendary Robin Hood collection of juvenile novels, and then editor and distributor of graphic novels . In his review Totem of the '60s, was repurposed to Hugo Pratt (Ann and Dan ) and had published, for example, drawn memorable works, for example, by Garcia Seijas, a young man who had drawn his interessante Border Tom on the Prairie. Totem was short but it was a breath of fresh air in these times when Columba was practically taking over the Argentinean market. In Buenos Aires, Alvaro had an old employee of the missing editorial Argentina, Scutti, and with his help, he was "in situ", working with fotoromanzi, began production (which became a thousand pages per month ) for the Italians of the boat.
As all this mass of material magazine that he had harbored in Argentina, Zerboni invented Record Publishing to publish first and then Skorpio other titles. His idea of \u200b\u200bpublishing The Corto Maltese at the top of the first issue of Skorpio revived in many former readers who longed for their publications of years ago, looking forward to reading comics. And as in material production were the very Oesterheld, Zappietro, Arturo del Castillo, Jorge Moliterni, Lito Fernandez, García Seijas, Solano Lopez, also lived as if, somehow, the missing and Zero Hour border again a vivir.

In the early 80's magazines published English versions of Precinct 56, El Eternauta , etc.. version dell'Eur [4] . Most of the comics were not sold directly in Spain? It seems strange that products of this quality could only be of interest to Italy, which like taste in comics is quite similar to Spain (although in fact at the time the popular English comic superheroes had been swept away and perhaps lack that ' coupling that here in Italy could provide The Brave Il Monello and ).
Record I stopped working with the end of 1983. Surely, if not erased the signatures, will be out in Italy that the last episode of Alvar Mayor that is made in early 1984, when the artist finished his work. From that date until 1986 I wrote enough for Toutain Editor of Spain made the first publication of my scripts in their journals (1984 - then Zona 84 - Creepy , Comix International Argentina and kept doing El Loco Chavez and some stories Editions of the Magpie, the erotic magazine and Don Leather Strip, a publication run by the very interessante semiologist and poet Oscar Steinberg. Toutain had contacted me in 1982 and it was he who first published The Legend of the Four Shadows (drawn by Fernando Fernandez), The Last Recreation (drawn by Altuna), Custer , Light and Bold , Ivan Piire (drawn by Jordi Bernet). In 1986 I contacted the Eura Filippo Ciolfi to work directly for them. These English magazines you mention must have had very low coverage and very little selling because I do not remember. Maybe the former partner has made a Alvaro Zerboni, Francesco Rocca, who was in Spain in those years and once had an editorial called New Frontier, but the truth is I do not know. What I do know is that the Eura, when I started working directly for them in 1986, were not interested in being agents of the material in other European countries and claimed an exclusive right only for a time not too long for Italy. Surely its attempts to sell in other countries had failed. France, which is the European market, never appreciated the Italian comic, he was called fumetì, with accent on the í and criticized him because - say - the Italians (and part of Argentina school a la producción que sale at Eura) dibujan demasiado de look y Hacen Historias de aventuras with parlantes cabezas.


In your case the work was to record the result of direct collaboration with the designers (some of them, at least) or simply called Scutti The screenplay then went to the artists? Some authors point out that at the time met the others only when they went to collect the fees.

Los guiones if llevaban a la editorial y ellos eran, Scutti y que hacia el the person editing the material, María Teresa Lentini, decidían home who are or were rechazados estaban bien. María Teresa was a fine person, clearly and with authority to discuss with the authors and twist his vanity. Scutti No, I understood what he thought Zerboni but was unable to transmit it. I always thought that Lentini was a mastermind who ran the themes, structures and ideology of the stories with great ability. Once approved the script, I went to the cartoonist. I was lucky enough to work, in most cases, with artists he knew, and I could always talk to each other and exchange ideas on how we thought everyone who had to develop the story. Even some of the artists proposed by me to the publisher. My expertise in Garcia Ferré in Patoruzú , y en en Satiricón Mengano me habían mucha contactado with people.


For Skorpio and Tit-Bits She has written many series and miniseries [5] than "unitarios" But I think the His collaboration with the Record, at least in Italy, is identified mainly with two works together with Enrique Breccia: alvar Mayor and El Peregrino de las estrellas [6] . In both i almost conclusions and sospesa, eat it fossero ancora molto rimaste sew da raccontare: le due sono in effetti conclusive series Lei AVEVA in mind come in origine ci Furono oppure altri motivi della loro base alla chiusura?

Eura I think it was, ultimately, who decided on what material was published in Italy and what material they were not interested. Probably, in the case of The Pilgrim of the Stars it was they who bowls the series and that was abruptly interrupted production. I, on the Record, they said they had to finish because I wanted to give you another task to the designer and needed more episodes of Alvar Mayor and production of Pilgrim hindered this need. The fact that in Italy there was a higher authority than that of the authors Record was for just one intuition rather than a certainty, as the Argentine editor working without explaining anything about the resale abroad and never, until I traveled to Rome for the first in 1979, had seen a magazine Eura.

Sempre riguardo The Pilgrim of the stars : only recentemente, grazie della Casa Editrice all'interessamento Allagalla, abbiamo il dodicesimo seen capitolo inedito per trent'anni rimasto. Lei sa come mai non venne pubblicato dall'Eura?

Now that you mention it, it is likely that the Eura has rejected that story is the cause of INTERRUPTION Series Record. But this mysterious fog surrounding all the acts to remember even that I have learned through Allagalla had a new chapter.
There was a series, Ernesto García Seijas and I liked a lot, which also had an abrupt end at the request of the editor. But, and here that we received permanent falsehood glassy authors in the Record meritorious rather than truth, I was told it was because he did not like Garcia Seijas Ernesto and was told that I thought the series my crap for drawing. Just SRGS drawing, one of the most love! Alvar Mayor , however, was interrupted when I decided not to work anymore for Ediciones Record, in late 1983.

Qual
was the series di Ernesto García Seijas chiusa venne che prima del tempo? The Little King, Reno Reagan (ma che non sono l'abbi Scritta Sicuro Lei) or un'altra?

Il titolo era The Little King ("Il piccolo re, ma non sono Sicuro che questo fosse il titolo in Italy [7] ). I did not write Reno Reagan.



addition to the comics she has also produced a comic book (by the way: it was called El Club del Comic or El Club de la Historieta ? Sources disagree). Appears on Skorpio from number 15 in December 1975 and other measures moving in the magazine Tit-Bits . Unfortunately I have not even read a number ... Saccomanno and she followed a more critical approach, or historical?

Primero apareció EL CLUB DE CARTOON, a section that was published in Skorpio with news and comments from the world of comics and news from the publisher. Shortly after beginning to publish the story in CARTOON Tit-Bits. In this second section, with Saccomanno began a brief history of comics in the world to quickly begin writing the history of comics in Argentina. Much of these items were used when we called the book CARTOON HISTORY OF ARGENTINA, in 1980, and has been published in Italy.


9) the Cartoon Club and The Cartoon History poi sono di tornati used when Scrivere Cartoon History of [8] or sew hanno seguito le due Percorsi fun?

were always separate. Tit-Bits published one and the other Skorpio. Only section Tit-Bits was useful, very useful when writing history, that we should write Saccomanno in very small because they had to bear part of the '80 edition Lucca, dedicated this year to Argentina. Lucca that year there was a large delegation of our country: Juan Zanotto, Mandrafina, Macagno, Breccia and father hijo, Oski, Fontanarrosa, Caloi, Barreiro, Solano López, David Lypszic y yo (Este y me olvido de algún probable).

Ok, we talked about Skorpio because it is impossible not to mention it and I think that is the springboard for his international career, but the 1974 is a key year for another reason: She realizes A This Daneri with Alberto Breccia. How did you meet Breccia? I've always been amazed at the willingness of the Argentine affirmed designers to lend a hand to writers who had not yet reached their reputation (eg Zanotto and Solano Lopez giovane che col collaborarono Barreiro, e poi negli anni ed successivi Del Castillo Enrique Breccia with Slavich and Mazzitelli).

A Alberto Breccia I met him in Satiricon in 1972. We took a coffee, talk about comics, is that he was reading some things I wrote it in 1973 called me to propose that we made a series of brief episodes. One such Daneri was , liked it and began to draw away. Regarding your surprise about the availability of the artists I can say that in 1974 or 75 Oesterheld political activism I was away from the production - say - commercial and channel them into accurate stories with ideological meaning in magazines and newspapers "party" (the weekly montonero "The Descamisado" the newspaper montonero "News"). His passing away in 1977 ended the possibility for older artists, to have his pen unrepeatable. Everyone then had to find new writers, I guess. And Ediciones Record was missing in subsequent years, some important authors, such as Eugenio Zappietro, which began selling his work in Italy without intermediaries. It is possible that the market needs were inventing new authors, some great talent, of course .

La realizzazione di One such Daneri piuttosto Tormentata fu, da mindestens Quello che posso desumere keeping him di realizzazione degli date arrivati \u200b\u200bepisode in Italy: in 4 anni, dal 1974 al 1977, Furono realizzati only 8 episodes. Fu scroll thing (forse nasceva conclusive come storia e fu seguito continuato to the success) or Furono dei problemi ci?

Nothing tormented. It was a very considered and responded to the needs of Alberto Breccia. At some point he began to do other things to live and Daneri went to the drawer of memories. There was a series designed to have an end. Top episodes were small. Y a bit of everything what we wrote in those years was related to a production system to one or two episodes every month taking into account that had a strong finish. Nobody thought at the end and were interrupted because the authors were in search of new horizons or something.

Gli anni '70
ovviamente sono gli anni della anche di Nascita El Loco Chavez, forse il più personaggi Suo important, or at least those with intellectual Maggiore care if it identifies. A quel tempo El Clarin stava molto sulle strisce By pointing to the incentivava fumetti e produzione nazionale: Lei e Altuna you came contattati or Foster proporvi voi?
In 1973, Clarín had an editor who realized that the daily strips produced in Argentina were most appreciated by readers of the old syndicate strips American (Mutt & Jeff and the like). slowly removing these productions were imported and replaced by things made by authors. Albert Broccoli with Fafa Wizard, Caloi with Clemente, Fontanarrosa and Crist with his daily cartoon, with Viuti Teodoro & cia, Ginzburg, and Tabaré Abrevaya with Diogenes and the tramp , became a necessity for those who read the newspaper. It was known that all the reading began looking first and foremost jokes cover.
There, sometime in 1974, realized that the only thing that jarred was the cartoon "serious", which was a complex and checkered past story written by a noted historian. They made a specie of competition. A Altuna and I told Albert Broccoli, one of the innovators of the page. We present, therefore El Loco Chavez, who started out on 26 July 1975.

È difficile Scrivere a striscia Quotidiana? Necessitas di iniziare e finir a scena in vignette quattro è tre or a limit or possiblity Invece che offre a struttura delle più lunga non dà?

El Loco Chavez , we realized the shooting, had to have a first little picture to remember what had happened yesterday, a development and a gag with suspense to engage the reader tomorrow. The stories had a rundown, we knew where to start, what happened and where it ended the actions of the characters. Exercise gives rhythm to things. Readers took several months to feel trapped by what happened in El Loco. In the first story the character was corresponsal journal Viajero y eso no muy resultaba atrapante. Pero en un moment if I ocurrió traerlo therefore Fuera por un par de meses, y Ahí grit Eureka!. Habíamos encontrado para seguir adelante el costumbrista tone during los años que iban to come.

Although I have always seen Loco Chavez happy and carefree as a series, it is known that there was a great care on your part to avoid dealing with some issues considered "dangerous" (you could not even speak the price of vegetables). Even an author like Robin Wood, who calls himself completely disengaged, he received an unwelcome visit of people who asked Helena is facesse bolscevica propaganda (!) [9] . Ci sono mai stati di intimidazione diretti almost Lei, oppure ad all'editore Altuna, avveniva frequently eat in Argentina in quegli anni?

The editor of preventive censorship exercised daily. Nobody wanted to do twice the strips, because they are generally delivered on the closing time. We were therefore used to it and understanding what things could publish and what not. I remember an episode of external pressure, such as a radio program with the dictatorship feathering to levels unthinkable where they said they did not show a good example of citizen readers. But in the day nobody said anything. I worked in other print media more risky in those years, editions of the Magpie, for example: Humor , Hurra, Superhumor , The Pendulum and that if they earned more than paranoia. We all have saved some anonymous letter arrived in Humor saying we should be careful or we were going to go very wrong ...

The big stories of the Loco Chavez , che compare her series Skorpio Extra was a ristampa delle strisce or was unreleased material?
MAJOR FEATURES was something of a Sunday page of the Loco. Occupied half a page once a week, in another section of the paper, while still on frame strip from Monday to Sunday. It was published weekly first but soon became fortnightly, alternating with a large Argentine cartoon character who had gone through several magazines: TOILET PEREYRA, Roberto Fontanarrosa.

El Loco Chavez venne pubblicato its El Clarin dal 26 luglio 1975 to 10 novembre 1987. Facenda a fast Calcolo e molto approssimativo my che manchi qualcosa seeded voluminosi pur nei libri dell'Eura. Per l'edizione avevate Optatus mat per one selezione delle storie di Loco? Corre voce di un'avventura ad esempio in cui investigates inedita sulla morte di Hitchcock.

What Eura prepared for a "montage" of the strips was a condensed version of the Loco. Removed the very long scenes of conversation in bars and in writing, that would have been too heavy for the reader of a magazine. I also eliminated the redundancy of these tables on the strip remembered what had happened yesterday and rewrote the dialogues with a little more dynamic to be read in one sitting and not at three or four bullets per day.
Hitchcock's story is the first adventure of the Loco as travel correspondent, that is, which began appearing in July '75. It was an intrigue with the master of suspense. Alfred Hitchcock died in 1980. El Loco started out well after the magazines Eura. Was removed, like so many other things untranslatable history. It was more difficult to adapt the comic strip magazine to write the original cartoon.

a personaggi è straordinario Pampita. Il disegno di fa a ne Altuna ideale beauty, irraggiungibile, eppure il suo charme limited to non si è fatto che una donna bellissima, molto PERSONALITE Pampita has a forte, è veramente a three-dimensional personaggi [10] . C'era forse l'base alla sua donna ispirazione a really esistance (or magari in più donne), Robin Wood come with FECE Helena?
Altuna used to say, to impress the questioner that you're asking me now, Pampita was a girl who not only existed, but posed as a model for him. It was a joke. He drawing, drawings, beautiful women with personality, and their presence in the cartoon was always "dangerous", so it had to offer with a dropper. If it appeared by far the star began to fade. When this happened, we had to fight them, or she would travel and the crazy resume its role. No, there was not my reality or that of Altuna, unfortunately.

a television series esiste anche da Tratt El Loco Chavez, realizzata nel 1978 ma di short Durat. Com'era? È vero che fu dalla chiusa Hugo Perchè political censorship was a cattivo esempio per gli Argentini (di non dava l'impressione il suo capo rispettare Balderi)?

The series, a sort of soap opera with lots of outdoor, was released by a major television channel and, indeed, was air lifted by the military government because it was a bad Crazy Argentina, a terrible example: le liked and respected women too little to his head Balderi. When the air we took a dislike episode in the production company that conducted the program because, not to pay us, we were threatened with the military. Our lawyer who was present was furious and said he would make public the threat. The producer is scared of its own advanced on dangerous ground and ended up paying at once what we had. Obviously, the attorney had not realized that they were "using the names of these monsters in vain." And if I use this phrase because, in his omnipotent power over life and death of citizens, the military felt God.

(2 - continued)





[1] Rodriguez Uzal, disegnatore has Collaborate with moltissimi che altri colleghi Argentini ( Lito Fernandez in primis).
[2] This is obviously Ace of Spades written by Ricardo Barreiro.
[3] In all probability this is the story castigos Dos para el Cobarde pop up Tit-Bits 7th of January 1976. The book referred to by English Trillo El extraño juicio a Roy Ely published by Toutain in 1984.
[4] The image is from a kit Dossier Negro 165 (Norma Editorial, 1983)
[5] Some title Agent "None" designed by Alberto Breccia, Detective Agency with 12 Perez D'Elia, Tahlia with Tyler Garcia Seijas (these are the names which have come in Italy Nadie , Detectives' Studio and El Peque ñ or Rey )
[6] Noto on Lanciostory stars as Robin , have recently had a considerable volume reprint edited by Allagalla that has restored the original title and dialogues.
[7] See footnote 4.
[8] fundamental historical text written by Trillo in collaboration with Guillermo Saccomanno. Born as a catalog of the exhibition on Argentine artists held at the Fiera di Lucca in 1980, was expanded to become a real essay published by Editions Record. Published in Italy by Edizioni Proglio.
[9] V. Fumo di China 26 September 1986.
[10] To be sure, in Loco Chavez all women are outlined in a very realistic and not be limited to boundary elements.