Alberto Angel Fernandez was one of the pillars of the Euro, and today aura. Almost always accompanied and constantly readers Lanciostory and Skorpio , coming even from the confines of the week to make the registers Bonelli ( Leo Morgan on Formula 4 and above the bi-monthly Martin Hel ).
Skorpio less and was not well presented Calico Jack Bull Rockett , Samoa Kent, Gala , Grace Henrichsen, Mafia red light ...
Fernandez has worked with virtually all the writers Argentina (Although his collaborations with Wood and Collins are certainly the most famous) and horse of the 80s and 90s lent his art to two writers who at the time were little more than newcomers, Mazzitelli and Slavich, which has produced many other series and miniseries a high level. Citing bulk: Browning & Cooper, Cannon, Death does tricks , inheritance of blood, Videoman , The Actor .
And besides all this mass production and continuing to be mentioned also the endless production of "free", episodic stories without fixed stars. Among the many, worth reporting at least Loco Jones, 10 years after written by Carlos Trillo [1] .
Clearly the production of both material and quality so high it is not possible for one man and Lito Fernandez is famous for being the master of many designers today who are good professionals and assistants from the beginning they did for him.
Despite being one of the most relevant figures of the Euro (and continues to be today for the Aurea) fairly recently Lanciostory he dedicated a series of bets heading clouds. Although almost exclusively tied to the euro, in Italy we have seen the works of Fernandez for Comic Art and more recently with Sergio Bonelli Editore, so after the number 17 Demian had the honor of being selected for a draw Texone.
Among other things, Fernandez on texts by Robin Wood a commemorative volume for Colombiadi, based in Italy currently has only seen one written by Zentner and designed by Mattotti.
The information we have about you in Italy are rather fragmentary and are repeated identical from all sources, we know only that he was born in 1941, he designed as a classic Argentine Misterix , who also worked for England and he attended Pan American Art School seguendo i corsi di Alberto Breccia and Angel Borisoff. E nel volume Eura Speciale Lucca Fumetto uscita nel 1994 per Robin Wood has detto che Lei ha 9 figli. Tutto qua. Cos'altro Dircio di sè può?
All this is correct, surely, my family has been the source of inspiration for my great production. I have 5 children from my first marriage and 4 of the second. The family is still widening and my grandson will be born soon to number 14.
Il has Paul Fayó detto "È normale sentire dire ai old designs that they do not like comics. They work in comics, like graphics and painting, but do not read comics " [2] . But I believe that you really love the comic, as evidenced by your studies and the fact that comics have taken several others. Am I wrong or did it? I remember reading somewhere that she also has an original drawing by Moebius with dedication.
I love deeply the historieta desde el moment en que por equivocación (y no por vocación) hile the classroom clase en la que daba el maestro Alberto Breccia. Pablo says Fayó que no leemos historieta, algo de cierto There, I love "reading" cartoons graphically, that is what the artist told me, what is its narrative and how successful is the symbiosis between the writer and graphic artist. As for the drawing of Moebius, since he came to Argentina and craft of his driver and occasional confidant, back in the '70s, decorating my studio.
A sewing che delle poche di Lei sappiamo che è anche per il has Lavorato Daily Mirror: che di lavoro type has Svolta? Caricature, veri e propri illustrazioni or fumetti?
war I made a comic weekly, was in the 60s.
Suo lavoro professionale cousin in Argentina?
This is a story worthy of a story. It was scripted for me and it was adventurous, kind Jungle Jim. Was published in D-Day and I was doing while studying with Breccia, Donadio editor was looking for new values \u200b\u200bto the American (flagship school, which taught the priests story this time: Ugo Pratt, Arturo del Castillo, etc.) Pupils show our work and I was selected, never cashed. Tragically, shortly after he was poisoned Donadio por esposa up, what ya que muchos que hacer el dibujantes fantasearon susodicho Solia "olvidarse de pagar a sus colaboradores.
In the first issue of Skorpio Argentina (1974) show the first episode of Precinct 56, a remake of a comic I wrote to Ray Collins Misterix since 1963 and drew Jose Mu ñ oz [3] : Collins was the idea of \u200b\u200bresuming the series or the idea was the editor? A decir verdad, no lo itself, cuando yo ya estaba todo llegué resuelto.
Precinct 56 is a series that has always fascinated me. I noticed that after repeated episodes changed the features of the protagonist, initially had a thin mustache vaguely of Clark Gable and eventually had an almost animal-like, more like Charles Bronson. It was an accidental phenomenon, or wanted to highlight the drawings with the passage of time, the escalation of violence in the world, the political situation in Argentina ol'incupirsi era?
 |
| dell'aspetto Evoluzione di Zero Galvan / Larry Mannino |
I would emphasize the sharpness of your analysis so accurate. Wanted to find a very masculine type, and consulting with my wife, she suggested to Clark Gable, trouser discovered by her during her adolescence, the funny thing is that after your preference leaned toward Charles Bronson and following the changes in consumer tastes, Larry Mannino also changed. Without doubt that the political situation has had and has a great influence on the creative output of each half, beyond anecdotal case, violence as starkly exposed then graphically manifested functioning as a catharsis.
Ignore este episode, lo que puedo decir es que you Martínez es el argentino dibujante Chiche Medrano, y quien ya fallecido Jamas me to Mencius nada respecto.
Who left the idea of \u200b\u200bresuming Bull Rockett ? It was his idea or the Record? On Skorpio 9 of 1978 he speaks of his "friend writer "who had provided the subject [4] .
La idea fue de Record, y sin duda que la referencia Héctor Germán Oesterheld was, cuyo home was Desconocido.
The attribution of the texts Bull Rockett I think it's a little 'problem, of course the latest episodes Barreiro wrote them. The early episodes were written by Oesterheld?
Efective así fue. Osterheld fue desaparecido junto a sus Hijas por the Junta Militar de Gobierno. Suelo Hablar with Elsa Sánchez, on Viuda, y quien está recibiendo merecidos tardíos reconocimientos.
Your style reminds me of Frank Robbins, but maybe it's just a case because in the early episodes of Dennis Martin (all I could see myself, at least) [5] I think there is a more cartoonish style, at most a touch of Milton Caniff if you really want to find references.
The influence of Frank Robbins was actually there or is it a coincidence?
Frank Robbins is my first influence. My father had a newspaper delivery and one of his clients was Ramón Columba, owner of the legendary publisher. I contacted him at age 14, my father was the bridge. Very generously, Ramon told me to look at Frank Robbins. I made my first experiences amalgamating a couple of years later, I learned in the Pan-American school that published cartoons Columba and I had to hand over the work of my father.
Secondo me anche il suo stile delle componenti has umoristiche, e in effetti molto anche storie che abbiamo in Italia hanno seen a broad and grotesque ( Fog , Undermédanos ) or at least ironic ( Browning & Cooper, The Tower of Miracles, etc..) - She has also produced humorous works properly, as they did for example Enrique Breccia and Domingo Mandrafina?
Como en la vida, el humor, if that car en mi trabajo, será por esto que me dibujo divierte much.
How was your relationship with Columbia? There were no problems when, with the birth of Skorpio in 1974, many designers passed from one publisher to another or contemporeaneamente worked for both?
While there was initially some conflicts were overcome then the responsibility of a large family has guided me to smooth things over and to "find the back" to my work. The cartoonists have ups and downs, and it is hard to find someone has his economic situation resolved, the markets, which were fluctuating, it was becoming increasingly difficult.
In Italy Le è stata anche attribuita the witness paternitas di alcuni dei fumetti, da Lei disegnati semper: ad esempio Samoa Kent, però che dovrebbe essere stato scritto da Roger King. Ummer omissioni Queste standardized abbastanza ma anche per l'Eura Comic Art pubblico la storia A mille Probability his (her L'Eternauta 134) has only come indicato autore Lei: Lei has occasionaly scritto quindi anche oltre a disegnarli fumetti?
had no knowledge of this, and I will be very adamant about it, I'm no writer and I've never been, except the first and tragic story above. In many cases, we sat with the writers to dream characters and stories, especially with Carlos Albiac, but in no way, I wrote those scripts.
Oltre al lavoro per le due più importanti realtà Editoriali Argentine, Columba and Record, anche Lei editions will Collaborate with the Magpie his Fierro : Dircio thing di questa esperienza può? remember "The top and bottom," "The decline deaf" written by Carlos Trillo. 2 chapters also published a series of sauteed Carlos Gardel, the story I have 8 chapters unpublished.
di Lanciostory and Skorpio my sown di Lei che abbi Capire instaurato privilegiato rapport with Ray Collins, tra le altre cui avete sewn Realizzato divertenti anche le storie of cosacco Juan [6] . C'è particolare effetto a tune?
At least in my case, have always been the publishers who have provided me the scripts and hence arises and communication with the writers.
famous Lei è per essere a capo di studio che a molti realizzativa fumetti, e da cui sono professionisti usciti tantissimi (Carlos Gomez, Alfredo Falugi, ecc.). In anni che utiliser has cominciato a method di questo lavoro? È something Risale che già ai tempi di Dennis Martin or successiva è?
Many years and many professionals, I can not believe, making calculations are like little more than 40 years! If it is something I can boast of having taken the "pencils" received, each with their style, and professional with my inked and has been an interesting approach, as each child could explore co-equip themselves and take a little of my experience. Sometimes I brought sketches that were used to systematize policy on the story, and although each one then follow his own path, I have been true clases sobre el theme.
The Working as a team "has always characterized the history of comics and newcomers are still many bones are collaborating with the professionals said. But there are many different ways of understanding this process: for example, Hugo Pratt left blank the blank parts of the strips and passed to drain, Vianello seconds to fill his orders, Manara cured inks instead of drawings by Bacilieri, Tibet employees have made almost entirely white boards they were filled with wallpapers and Will Eisner was an almost assembly-line method with the apprentices at the end of the process that scoured the pencils. Come avviene the realizzazione dei fumetti vari Lavora their care? C'è molto stretto rapporto work a Lei ei Suoi collaboratori or you Fasi della realizzazione sono varie e ognuna than plucked per conto proprio?
Something I said in the previous question, I think my production is more like that of Will Eisner. The pen does have all the freedom to interpret the script as you like, when you bring the material supervise and give guidelines for the next chapter, often redo pictures. The second part is the inked the scenery, concluded that the characters and retouch step funds. In a final analysis, the assistant more novel hare los recuadros, wad el lapiz, corrige los bordes with blanco, etc.. y pasa es necesaria color.
How was the birth of Martin Hel? It was the first work done directly for the Eura?
Yes, Lueger fue publicado en capítulos en ed. Columba hasta que cerro.
The scripts are very detailed Wood? I imagine that after forty years of working together to understand there are no problems now.
extraordinary thing about Robin is the leeway they gave me, that confidence out of the other the best, too much detail blocks the imagination and appropriation of the cartoon by the cartoonist. After Oesterheld, Robin is one of the best writers, has that plus inexplicable duende.
Anche Lei come molti colleghi Argentini (Alcatena, Zanotto, Zaffino, Garcia Lopez, ecc.) Has Realizzato fumetti per il mercato statunitense, specifica nello L'Invasion ricordo da Chuck Dixon Scritta [ 7] . Ci sono anche altri fumetti realizzati oltre a questo per il Nord America?
Dixon Del mismo, y he hecho Batic Airboy. Barreto en participates with a pocket-book de Batman.
She has also designed one of the 25 volumes that make up a necklace that Spain's Planeta De Agostini Colombiadi of celebrity. How was the realization of the volume?
Vivo en un barrio de la suburban province of Buenos Aires. A tocaron día a mi puerta y me encontre a abrirla sevillano enviado del Gobierno español, Pedro Tabernero. "He cruzado para el Océano dibujes pedirte que esta historia fueron sus words and then it all started.
Come sono i contatti with Sergio Bonelli? Lei anche da bambino leggeva Tex / Colt Miller his Red Lightning?
not read, "devoured" who had said that someday I would draw. It's a little strange to be today in my own childhood fantasy. I knew they knew my work and at some point we contacted to perform Demian, a character who is drawn by other senior colleagues.
procedendo the realizzazione Come sta of Texon ? Anticiparci qualcosa può?
could be classified as a big production, Mauro Boselli spectacular displays an argument, I must have this documentation greatly to capture the full complexity of the characters and the richness of its scenery. I think readers will find what has always provided the Texon: adventure, intrigue, suspense, action.
Tra migliaia di tutte le pagine che ci sono has Realizzato a fumetto or personaggi (or anche di più a) di cui's particularly fierce if present or cui è molto affezionato?
Several 
Grazie per la disponibilità.
Thank you for your interest and hopefully we can meet personally.
(will un'appendice with the list of contributors to Angel Lito Fernández)
[1] With this title, probably more faithful to the original, appears on The Eternauta Junior 2 while at the Eura history is known as Samuel Jones, after .
[2] Fayó Pablo, La Generacion of 80 in Fierro 78 - translated version in Italian reported by the grandchildren of eternity - new comic Argentine, Carlos Scolari, Granata Press, 1994 (p. 58).
[3] In Italy some episodes were released on Sergeant Kirk of Ivaldi.
[4] For presented Bull Rockett the Eura even resorted to a long note a bit 'melodramatic on the page of "Letters to skorpio," a very special treat for the series that would appear on the No. 33 of 1978, "Fernandez, the designer Calico Jack and [...] Larry Mannino [...], Is talking to me hard and I confronted him, scolding him for the excessive delay in continuing to give us Calico Jack. He smiles, and I show four episodes of a new character called Rockett Bull. He says he carried it out because he liked the stories of his friend the writer. I try not to lose patience and I start looking at the stories ... I returned the smile. Fernandez is out of the class of all, in a light and airy creation stories to really outside the box, somewhere between fiction and yellow, between the cosmic and the epic tale of humor. I accept the character (it will appear on Skorpio very soon), "humbly" I beg him not to play other jokes like that (Fernandez is a joker, I'm much less, overwhelmed by thousands of organizational problems), and with fierce eyes pull out the promise to stay up at night, but we will deliver on time is Calico Jack Bull Rockett that (the character of Larry Mannino is in love and "there will be no problems for what"). Do you believe? Mah .. '.
[5] Dennis Martin debuted in 1967 with the texts of Robin Wood, in Italy know the later version, written by Collins. The name of Angel Fernandez Lito is closely related to the character but the first episode, Tanger para Hombre, I drew Luis "Lucho" Olivera. Fernandez took the reins of the series from the second episode, Pasaje para Bulgaria, published D'Artagnan 163 in October 1967.
[6] Criptoserie of which have appeared in several episodes as free over more than twenty years between Lanciostory and Skorpio .
[7] On Skorpio from number 20 in 1997.
0 comments:
Post a Comment